| |
CD of The Week
Cadence
Twenty for One
As Reviewed by Erica Gayler
"All sounds produced by the voice, mouth, and body. No other
instruments used." –printed on the liner
notes of "Twenty for One"
Toronto
a cappella group Cadence have a saying that
they like to use, which can be found displayed across their website at
www.cadence-unplugged.com:
"instruments are for surgeons." But with the talent of master
surgeons, Cadence carefully crafts their music, all their own arrangements,
to fully use the vocal talents of each member. You’ll never miss
the instruments! In fact, there are moments where you’ll be absolutely
sure that "that was a trumpet", or "that was a drum kit"…
but no, that’s just the voices of Cadence.
Cadence’s first release, Frost-Free, was
a critical and popular success, winning two Contemporary A Cappella Recording
Awards, picking up a Juno nod in 2001, and creating a stir on the a cappella
scene. With the release of their second album, Twenty for
One, Cadence is obviously destined for more awards, more
recognition, and hopefully a Canadian realization that we hold one of
the world’s a cappella treasures.
Opening with a cover of Perhaps, Perhaps, Perhaps, that’s more reminiscent
of Cake’s quirky take on the song than of any jazz rendition, Cadence
will capture your attention right from the start and lead you through
an eclectic mix of songs that include pop classics, jazzy toe-tappers,
and original compositions that can stand confidently side-by-side with
any of the more familiar tunes on Twenty for One.
Some less-than-expected covers turn up as well, including "Game,"
originally by CKUA favourite Beady Belle.
One of the standout tracks on the album is tenor Dylan Bell’s arrangement
of Joni Mitchell’s "The Dry Cleaner from Des Moines",
which pops immediately to attention and almost demands repeated listenings
to catch all of its many facets. It features a drum groove that transforms
from crisp and laid back into the kind of beat that wouldn’t be
out of place in a trance club, and a bass line that captures Jaco Pastorius’s
effortlessly funky original, while still being unmistakably Cadence -
all underneath the jazziest lead vocals on the album.
For those who can’t wait any longer to hear some Cadence for themselves,
"The Dry Cleaner from Des Moines" is available for download
at www.cadence-unplugged.com.
While at the site, you can also read more about both albums and the band
itself. "Four men, four microphones, no instruments," as advertised
by the website, is obviously a formula that adds up to success –
and to one of the best CDs that’s landed in the CKUA library so
far this year.
For more
information check out
www.cadence-unplugged.com
www.a-cappella.com

|